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Music at WPC-
Sunday, February 23, 2025
Seventh Sunday after the Epiphany

​Prelude: "There is a Balm in Gilead," Gilbert Martin (b. 1941)

Introit: "God's Gonna Set This World on Fire," Moses Hogan (1957-2003)

Offertory: "Hush! Somebody's Callin' My Name," Brazeal W. Dennard (1929-2010)

Postlude: "Mfurahini Haleluya" Traditional Tanzanian setting by Johannes Matthias Michel (b. 1962)

 

Hymns

Opening Hymn: 482- Praise to the Lord, the Almighty  LOBE DEN HERREN

Kyrie: 574

Gloria Patri: 567
Sequence Hymn: 367- Jesu, Jesu, Fill Us With Your Love  CHEREPONI

Closing Hymn: 376- Love Divine, All Loves Excelling  HYFRYDOL

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Next Week's Music at WPC:

Sunday, March 2, 2025- Nik Stackpole, organ, WPC Choir

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Prelude- About the Hymn "There is a Balm in Gilead"-
The hymn tune "There Is a Balm in Gilead" is a spiritual song that offers comfort and hope to those facing suffering and despair. It draws its inspiration from the biblical reference to Gilead, an ancient region known for its medicinal balm, symbolizing healing and restoration. The hymn speaks to the idea that, just as the balm in Gilead could heal physical wounds, there is spiritual healing available through faith and the power of God's love. With its soothing melody and uplifting lyrics, the hymn encourages believers to seek solace in God's grace, knowing that healing for both the body and soul can be found in God. Its message resonates with themes of redemption, peace, and the unending presence of divine support.

Offertory

Hush! Hush, Somebody’s callin’ my name. 

Oh, my Lord what shall I do?  

I’m so glad that trouble don’t last always. 

Oh, my Lord what shall I do?  

I’m so glad I got my ‘ligion in time. Hallelujah, Lord!

Oh, my Lord what shall I do?  

Soon one mornin’ death come creepin’ in my room.

Oh, my Lord what shall I do?  

Hush! Hush, Somebody’s callin’ my name. 

Oh, my Lord what shall I do? 

Postlude- About "Mfurahini Haleluya"-

"Mfurahini Haleluya" is a vibrant and joyful traditional Tanzanian song that expresses themes of praise, celebration, and gratitude. The Swahili title translates to "Rejoice, Hallelujah," inviting listeners to embrace joy and worship. This song is often sung in church services, community gatherings, and special occasions, reflecting the deep-rooted African tradition of communal expression through music. The lively rhythm and repetitive chorus encourage participation and unity, as people sing and dance together in praise. "Mfurahini Haleluya" emphasizes the importance of rejoicing in God's blessings and has become a beloved anthem in Tanzanian Christian communities, blending traditional African rhythms with Christian themes of worship and thanksgiving. Its infectious spirit captures the essence of Tanzanian culture, where music is a central part of spiritual and social life.

 Westminster Presbyterian Music Director

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Nik Stackpole: Music Director

 

wpcmusicdir1250@gmail.com

+1(330) 836-2226 ext. 104

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Nik Stackpole comes to us with a rich background in choral and ensemble music. Previously, he served at The United Methodist Church of Kent, where he directed a choir and handbell choir for five years. There, he had the privilege of taking the choir to Carnegie Hall in New York City to perform in 2024. He also held positions as assistant organist and music librarian at Johnson Memorial United Methodist Church in Huntington, West Virginia. Nik graduated from Kent State University with a degree in Music Education, specializing in choral and string instruction, with a focus on viola and keyboard studies. Nik also performs with the community auditioned ensemble, Stow Heritage Ringers.

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